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  • J.D. Souther

    If the World Was You

    10/14/2008 | Megaforce 

    All Music Guide Review

    If the cover of If the World Was You brings to mind a vintage Blue Note LP, it's purely intentional: J.D. Souther recorded this album live in the studio supported by a basic quintet of piano, standup bass, drums, saxophone, and trumpet, colored by Souther's guitar and a cameo from Béla Fleck. It's a stark contrast to the slick SoCal studio gloss of his '70s albums, where much of the pleasure was to hear pros play the tunes of this professional songwriter, but here the music relaxes and breathes, rolling out with a relaxed ease. It's still recognizably the work of Souther -- apart from a few songs with a Latin lilt, a hint of frenzied bop beats, and the epic 12-minute closer "The Secret Handshake of Fate" -- sonically, the songs could have found a home on Black Rose or You're Only Lonely, but Souther's writing is subtly different, too, a bit worldly and weathered, fueled by introspection not craft. Both the writing and the small combo are a deliberate break from Souther's past, so despite the near quarter-century gap between Home by Dawn and If the World Was You, this 2008 album doesn't quite constitute a comeback -- it's more of a revitalization, an album that feels like something that Souther needed to do. This gives If the World Was You a sense of vitality, albeit a relaxed vitality as the album is so warm and intimate, it comes on slow, not strong. Nevertheless, this feels alive in a way that no other Souther album has felt, as he's digging deeper with this songs and is supported by this wonderful quintet who help make If the World Was You a distinct, captivating fusion of country-rock and jazz. ~ Stephen Thomas Erlewine, All Music Guide

    Credits

    • Jim White
    • Percussion, Drums, Digital Editing
    • Jeff Coffin
    • Flute, Saxophone, Sax (Alto), Sax (Tenor), Photography, Sax (Soprano)

    Notes

    Relocating to Nashville (after Northern California, New York, Japan, and Ireland for half a year), J.D. Souther wrote for and with artists as diverse as India.Arie, Brooks & Dunn, Jimmy Buffet, Glen Campbell, Joe Cocker, Crosby Stills & Nash, Diamond Rio, Dixie Chicks, Don Henley, Raul Malo, One Flew South, Roy Orbison, Bernadette Peters, Bonnie Raitt, George Strait, Brian Wilson, Trisha Yearwood, Warren Zevon, and most recently the newly re-formed Eagles, who chose Souther’s protest song “How Long” as the debut single from their first studio album in twenty-eight years. And now Souther returns with his first studio album in twenty-five: IF THE WORLD WAS YOU.

    IF THE WORLD WAS YOU is both a bold step forward and a return to Souther’s Amarillo, Texas roots, where the young multi-instrumentalist grew up listening closely to Ray Charles, Frank Sinatra, and steeped in the improvisational sensibilities of John Coltrane, Thelonius Monk and Miles Davis as well as in the music of country and rock pioneers Hank Williams, Buddy Holly, and Roy Orbison, all of whose influences are evident. Recorded live in the studio fronting a five-piece ensemble, two horns, piano, bass, and drums, Souther has crafted an inventive new musical setting for his characteristically playful and literate musings on life, love, and politics. The work of a musician at the height of his considerable powers, IF THE WORLD WAS YOU is whip-smart, adventurous, seductive, and shot through with the sublime longing that characterizes Souther’s finest work. And his voice -- one of the most plaintive and soulful in rock ‘n roll -- has never sounded so immediate and so powerful.

    IF THE WORLD WAS YOU is the long awaited return of a master singer/songwriter as well as the birth of a new and relevant artist who’s creating music that is absolutely essential and entirely his own.



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